Noam Kroll

Fujifilm X-T4

cited in 2 videos

“To keep things manageable, the entire film was shot on my personal Fuji X-T4 mirrorless camera, with a single Leica R vintage 50mm lens.”

Blackmagic Cinema Camera

“Shot in RAW on the Blackmagic Cinema Camera and edited in FCP X.”

Arri Amira

“Shot on Arri Amira with Schneider Xenar Primes.”

Canon C100

“Shot on the Canon C100 in half a day with no budget.”

Lumix GH2

“Shot on the Lumix GH2 and edited in FCP X.”

Schneider Xenar Primes

“Shot on Arri Amira with Schneider Xenar Primes.”

Leica R 50mm lens

“To keep things manageable, the entire film was shot on my personal Fuji X-T4 mirrorless camera, with a single Leica R vintage 50mm lens.”

Leica 50mm lens

“We explore how the film was made for $0, shot on a Fuji X-T4 with a single 50mm Leica lens, and produced without any additional crew.”

FilmConvert

cited in 2 videos

“Edited in FCP X, Graded with FilmConvert.”

Blackmagic PYXIS 6K

“The subject matter lent itself to some really interesting visuals, and I ended up using three mismatched lenses on the Blackmagic PYXIS 6K to capture it.”

Helios 44M

“These included the extreme wide-angle Tokina 11-16mm (which vignettes on the larger format PYXIS), my Leica R 50mm (which I previously shot an entire feature on), and a Helios 44M that delivered a dreamy, surrealist look.”

Leica R 50mm lens

“These included the extreme wide-angle Tokina 11-16mm (which vignettes on the larger format PYXIS), my Leica R 50mm (which I previously shot an entire feature on), and a Helios 44M that delivered a dreamy, surrealist look.”

Tokina 11-16mm

“These included the extreme wide-angle Tokina 11-16mm (which vignettes on the larger format PYXIS), my Leica R 50mm (which I previously shot an entire feature on), and a Helios 44M that delivered a dreamy, surrealist look.”

amaran 60c full color video light

“But after some experimentation on the day, I opted for a single Amaran 60c instead.”

DaVinci Resolve Studio

“Having spent well over a decade working with DaVinci Resolve (nearly every day), I fully understand how incredible the software is.”

Soundstripe

cited in 2 videos

“I’ve used Soundstripe’s library for years, and with their new LIVE tool (which suggests tracks for your edit by watching your NLE in action), it’s only getting better.”